Liquid Terrain: Solo recordings (2004–2008)

by Tim Wolf

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1.
gouni trial 02:37
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memo-dee 10:17
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about

In the mid-2000s, after a period of self-imposed musical retirement, I stepped back into the waters of laying the musical imagery in my mind onto a recordable medium. In the fifteen or so years since I last recorded (on tape) the world of digital multitrack recording had arrived, allowing me to put new ideas down more quickly, efficiently and affordably than in the past.

Most of these pieces explore my interest in grooves and soundscapes that are soft, textural, intertwined and liquid. The shorter pieces are lighter in outlook; the longer pieces offer more contemplative listening. Bremerton Reeds begins with a level of seriousness, but switches into a more lighthearted energy, inspired by the spirit of Rahsaan Roland Kirk.

I perform on a variety of non-Western traditional instruments: donso ngoni (a six-string Bambara harp from Mali), African thumb pianos, khaen (a mouth organ from Northeast Thailand) and berimbau, as well as a variety of percussion, keyboard, harmonica, and more.

credits

released April 2, 2018

Composed, performed, recorded and produced by Tim Wolf. Instrumentation: donso ngoni, thumb pianos, khaen, keyboards, vocals, berimbau, calabash, caxixi, Tibetan singing bowl, harmonica, suling, bamboo recorder.

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Liquid Terrain Hartford, Connecticut

Tim Wolf, a musician and photographer, describes his work as liquid terrains: fluid landscapes. He has studied Indian classical music, practiced disciplines of improvisation, and worked as an audio engineer and music/performance producer. Formerly a saxophonist and vocalist, he now performs on several traditional African and digital instruments, and is a member of the New London Drone Orchestra. ... more

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